Tuesday, January 20, 2026

Our American Stories



CALL FOR SUBMISSIONS

 

Pictured in 1985, standing outside the Chinle, Arizona home in which he was born is Carl Nelson Gorman (1907-1998), also known as Kin-Ya-Onny-Beyeh. Gorman was a Navajo code talker and United States Marine Corps veteran of World War II, a visual artist, painter, illustrator, professor, and founder of the Navajo Code Talkers Association.




The 250th anniversary of our nation is not only a time to look back, but also to look forward. Many see 2026 as an opportunity to confront the country’s imperfections while honoring its resilience. Conversations about democracy, equality, and freedom are as vital today as they were in 1776.


Join the conversation.


We want to know what being an American means to you. What are your hopes for our nation’s future?


Send us your American story in essay form, as an original poem, or composed in lyrics to a song—all for consideration of publication in The Payson Chronicle in the weeks leading up to America's 250th birthday celebration.


Send your submission to paysonchronicle@gmail.com, or submit in person or by mail at 145 East Utah Avenue #5, Payson, Utah 84651.

CHRONICLE PICKS

 

What we are reading:

Power of a Navajo
Carl Gorman: The Man and His Life

by Henry Greenberg & Georgia Greenberg

In this week’s edition of THE PAYSON CHRONICLE

 


The Laurie Adams Doll Collection On Display At Peteetneet Museum

 


A fun exhibit for people of all ages is now open at the Peteetneet Museum and Cultural Arts Center. Laurie Adams is sharing—for view only—her expansive doll collection.


Adams has been collecting dolls since 1980.  Her doll collection is on display at Peteetneet Museum & Cultural Arts Center through the end of February 2026. Hours are Monday-Friday, 10 AM - 4 PM, and Saturday, 10 AM - 1 PM.


Head to the Peteetneet to see some amazing and beautiful dolls!

Monday, January 19, 2026

The Payson Scene

 

As seen on the Payson scene.


#caferio #payson #footloose #thepaysonchronicle #paysonchroniclenews 

Sunday, January 18, 2026

CHRONICLE PICKS

 CHRONICLE PICKS


What We Are Watching:
OMAGH (2004)




#paysonchronicle #chroniclepicks

Wednesday, January 14, 2026

Alexander Gordon

 

OUR AMERICAN STORY

 

From English Civil War To New England Court And Frontier Settlement: Alexander Gordon’s Life Journey A Remarkable Story

 


Pictured: English map of Maine and New Hampshire (c1670), where Alexander Gordon ultimately settled. The Payson Chronicle staff are Gordon’s descendants; he’s a ninth-great-grandfather of publisher Michael Olson.



From Aberdeen to Worcester: Early Life and War

Alexander Gordon was born in Aberdeen, Scotland, in 1635, into a tumultuous period marked by political upheaval and civil war across the British Isles. As a young man he fought on the Royalist side for King Charles II in the English Civil War. On September 3, 1651, at the Battle of Worcester, Royalist forces suffered a decisive defeat at the hands of Oliver Cromwell’s Parliamentarian army. Gordon was among the thousands taken prisoner in the aftermath of that conflict. 

Following his capture, Gordon was held over the winter of 1651–52 at Tothill Fields, a makeshift detention area near London. Like many Scottish prisoners, he faced bleak prospects: many were executed, imprisoned indefinitely, or sold into servitude overseas. In the spring of 1652, Gordon was transported across the Atlantic to New England aboard the ship Liberty, landing in Boston as part of a large cohort of Scots prisoners of war. 

Indentured Servitude in Massachusetts

Upon arrival, Gordon and his fellow prisoners were confined for a time at Watertown, Massachusetts, awaiting distribution. Gordon entered a kind of indentured servitude, a system common in the colonies where individuals bound themselves for a term in exchange for passage or room and board. 

Gordon first served for over a year under John Cloyes, a boatswain on the Liberty. Although initially intended to work perhaps as a free apprentice or servant, Cloyes sold Gordon’s service to Samuel Stratton of Watertown. On April 25, 1653, Gordon signed a formal six-year contract to serve Stratton as an “apprentice” in husbandry (farming). Yet in practice this contract functioned more like forced labor: he worked without pay, could not leave without permission, and lacked basic freedoms—conditions far removed from the traditional apprenticeship Gordon had been led to expect. 

This was not unique to Gordon. Many Scottish prisoners were similarly bound and sold by colonial masters eager for cheap labor. The term “apprentice” proved a legal euphemism that masked conditions closer to bondage. 

The Landmark Court Case

Although Gordon’s original contract legally should have ended in 1659, he remained bound to Stratton for many years beyond that date. The injustice of his continued servitude led him to petition colonial authorities more than once. His first appeals were unsuccessful, and many such petitions by Scottish servants were dismissed by the Massachusetts courts. 

The turning point came on November 3, 1663, when—with support from a Cambridge resident—Gordon brought his complaint again before the Massachusetts court. He successfully argued that his contract had expired long before and that his continued servitude was unlawful. The court agreed, releasing him from the indenture and setting him on a path to full freedom. 

Though the surviving records do not always detail the exact legal rationale, Gordon’s victory set an important precedent in colonial Massachusetts. It confirmed that indentured contracts could not be arbitrarily extended beyond their agreed terms—a foundational principle in the development of more equitable labor rights in New England. His case showed that even those without status or wealth could seek justice in court against exploitative practices.

A New Start: Exeter, New Hampshire

After gaining his freedom, Gordon left Massachusetts for New Hampshire. There, along with other Scottish ex-prisoners, he became part of the effort to settle Exeter, a frontier community on the Piscataqua River. 

In Exeter, Gordon worked at a sawmill owned by Nicholas Lissen. He established himself as a respected and industrious member of the fledgling town. In 1663, he married Mary Lissen, Nicholas’s daughter, and began a family that would become one of the foundational lineages of the region. Together they raised eight children and built lives as farmers and mill workers. 

Gordon’s life in Exeter reflects the broader patterns of post-civil war migration and settlement in New England: individuals uprooted by conflict abroad who forged new identities and communities in America.

Legacy

Alexander Gordon died in 1697 in Exeter, leaving behind a large family and a legacy that bridges continents and cultures. His descendants include notable figures in American political and educational history, such as U.S. Representative William Gordon of New Hampshire and Adoniram Judson Gordon, founder of Gordon College in Massachusetts. 

Importantly, Gordon’s legal challenge against prolonged servitude contributed to early colonial jurisprudence in Massachusetts, affirming that labor contracts had enforceable limits and helping to protect others from indefinite servitude. His story illustrates how even individuals from humble beginnings could shape legal and social norms in the developing English colonies.

In sum, Alexander Gordon’s life journey—from English Civil War battlefield to New England court and frontier settlement—is a remarkable story of resilience, justice, and contribution to colonial society. His experiences highlight the interplay between war, law, labor, and community in 17th-century America.




Tuesday, January 13, 2026

In This Week’s Edition

 


Legends Come Alive: USU Art Museum Highlights Western Lure and Lore

 


Logan, UT - The Nora Eccles Harrison Museum of Art at Utah State University will unveil the new exhibition The Lure and Lore of the West on January 20, 2026. This exhibition explores the blurred lines between Western myth and history, from monster legends like Bigfoot to rugged landscapes and fabled treasure. 


Incorporating artworks from the late 19th century to the present, the exhibition delves into images of popularized Western characters like prospectors, pioneers, and cowboys. A highlight of the show includes a giant life-sized Bigfoot skeleton which has been ‘unearthed’ by the artist Clayton Bailey. The Lure and Lore of the West challenges viewers to think about cultural legends and how our current climate impacts the stories we tell and our future folklore. 


The exhibition touches on themes like travel, exploration, and western expansion; myths and monsters of the West; heroes and legends, especially those surrounding American cowboys and, outlaws; natural resources, agriculture, and homesteading; and the majestic Western sublime. Featuring the work of acclaimed artists of the American West such as Roy De Forest and Ansel Adams, visitors will experience paintings with unique imagery, famed photographs, and sculptures of purported Bigfoot bones. The artwork is from the NEHMA collection with loans from the USU Herbarium, USU Geology Museum, Museum of Anthropology, USU Library, Ron Jenkins, and Paul Jamison. This new exhibition is a must-see for people of all ages. 


The Lure and Lore of the West opening reception will be accompanied by 

Collecting the West: Tall Tales from Museums and Archives Across the Disciplines, a panel discussion on January 28, 2026, from 5:30 – 7:00 PM at the Russell/Wanlass Performance Hall. This round table lecture will have the following distinguished participants: 


Danielle Stewart, PhD., NEHMA Head of Academic Initiatives and Curator 


Molly Cannon, PhD., Director and Curator of the USU Museum of Anthropology 


Kristian Valles, Manager and Associate Curator of the Intermountain Herbarium 


Paul Jamison, Collections Manager of the USU Museum of Geology 


Daniel Davis, Librarian, Photograph Curator and Archives Instruction Coordinator of the USU Special Collections and Archives 


A reception with refreshments and live music will be held at NEHMA immediately following the panel discussion. Admission is free and open to all. Parking is available in the free museum parking stalls and at the Gateway Terrace. For more information, go to our website at artmuseum.usu.edu or contact Shaylee Briones, shaylee.briones@usu.edu.


Tuesday, January 6, 2026

LUNCHTIME in SANTAQUIN


 










Lunchtime in Santaquin.


 @mosidamarket @mosidamarket  #mosida #cheeseburgerinparadise #santaquineats #paysonchronicle #thepaysonchronicle 

Our American Story

 CALL FOR SUBMISSIONS

Our American Story


Pictured is the American author and poet Katharine Lee Banks (1859-1929), whose poem “Pikes Peak” became lyrics to the patriotic song “America the Beautiful.”


The 250th anniversary of our nation is not only a time to look back, but also to look forward. Many see 2026 as an opportunity to confront the country’s imperfections while honoring its resilience. Conversations about democracy, equality, and freedom are as vital today as they were in 1776.

Join the conversation.

We want to know what being an American means to you. What are your hopes for our nation’s future? 

Send us your American story in essay form, as an original poem, or composed in lyrics to a song—all for consideration of publication in The Payson Chronicle in the weeks leading up to America's 250th birthday celebration. 

Send your submission to paysonchronicle@gmail.com, or submit in person or by mail at 145 East Utah Avenue #5, Payson, Utah 84651.



The Payson Chronicle

Our American Stories

CALL FOR SUBMISSIONS   Pictured in 1985, standing outside the Chinle, Arizona home in which he was born is Carl Nelson Gorman (1907-1998)...